52

“Don’t feel like that. Don’t let me go knowing you feel like that———” 

The sob she had tried to hold back choked in her throat, and her brother spoke to her. “Don’t cry, Marilyn.” His voice was suddenly deep and infinitely gentle, with all the pain held out of it. “Don’t cry, Sis—you mustn’t do that. It’s all right, honey—everything is all right.” 

“I———” Her lower lip quivered and she bit into it. “I didn’t want you to feel that way—I just wanted us to say goodbye, because I have to go in a minute.” 


“Sure—sure. That’s the way it’ll be, Sis. I didn’t mean to sound the way I did.” Then his voice changed to a tone of quick and urgent demand. “EDS—have you called the Stardust? Did you check with the computers?” 


“I called the Stardust almost an hour ago. It can’t turn back; there are no other cruisers within forty light-years, and there isn’t enough fuel.” 


53

“Are you sure that the computers had the correct data—sure of everything?”

“Yes—do you think I could ever let it happen if I wasn’t sure? I did everything I could do. If there was anything at all I could do now, I would do it.”


“He tried to help me, Gerry.” Her lower lip was no longer trembling and the short sleeves of her blouse were wet where she had dried her tears. “No one can help me and I’m not going to cry anymore and everything will be all right with you and Daddy and Mama, won’t it?”

“Sure—sure it will. We’ll make out fine.”

Her brother’s words were beginning to come in more faintly, and he turned the volume control to maximum. “He’s going out of range,” he said to her. “He’ll be gone within another minute.”


54

“You’re fading out, Gerry,” she said. “You’re going out of range. I wanted to tell you—but I can’t now. We must say goodbye so soon—but maybe I’ll see you again. Maybe I’ll come to you in your dreams with my hair in braids and crying because the kitten in my arms is dead; maybe I’ll be the touch of a breeze that whispers to you as it goes by; maybe I’ll be one of those gold-winged larks you told me about, singing my silly head off to you; maybe, at times, I’ll be nothing you can see, but you will know I’m there beside you. Think of me like that, Gerry; always like that and not—the other way.” 


Dimmed to a whisper by the turning of Woden, the answer came back: 


“Always like that, Marilyn—always like that and never any other way.” 


“Our time is up, Gerry—I have to go now. Good———” Her voice broke in midword and her mouth tried to twist into crying. She pressed her hand hard against it and when she spoke again the words came clear and true: 


“Goodbye, Gerry.” 


55

Faint and ineffably poignant and tender, the last words came from the cold metal of the communicator: 

“Goodbye, little sister . . .” 

She sat motionless in the hush that followed, as though listening to the shadow-echoes of the words as they died away; then she turned away from the communicator, toward the air lock, and he pulled down the black lever beside him. The inner door of the air lock slid swiftly open to reveal the bare little cell that was waiting for her, and she walked to it. 

She walked with her head up and the brown curls brushing her shoulders, with the white sandals stepping as sure and steady as the fractional gravity would permit and the gilded buckles twinkling with little lights of blue and red and crystal. He let her walk alone and made no move to help her, knowing she would not want it that way. She stepped into the air lock and turned to face him, only the pulse in her throat to betray the wild beating of her heart. 

“I’m ready,” she said. 


56

He pushed the lever up and the door slid its quick barrier between them, enclosing her in black and utter darkness for her last moments of life. It clicked as it locked in place and he jerked down the red lever. There was a slight waver of the ship as the air gushed from the lock, a vibration to the wall as though something had bumped the outer door in passing; then there was nothing and the ship was dropping true and steady again. He shoved the red lever back to close the door on the empty air lock and turned away, to walk to the pilot’s chair with the slow steps of a man old and weary. 


Back in the pilot’s chair he pressed the signal button of the normal-space transmitter. There was no response; he had expected none. Her brother would have to wait through the night until the turning of Woden permitted contact through Group One. 


57

It was not yet time to resume deceleration, and he waited while the ship dropped endlessly downward with him and the drives purred softly. He saw that the white hand of the supply-closet temperature gauge was on zero. A cold equation had been balanced and he was alone on the ship. Something shapeless and ugly was hurrying ahead of him, going to Woden, where her brother was waiting through the night, but the empty ship still lived for a little while with the presence of the girl who had not known about the forces that killed with neither hatred nor malice. It seemed, almost, that she still sat, small and bewildered and frightened, on the metal box beside him, her words echoing hauntingly clear in the void she had left behind her: 

I didn’t do anything to die for. . . . I didn’t do anything. . . .


 

Reading Check

 

Summarize the main events of this story in a paragraph. Open with a note describing the setting, and then tell who the characters are and what their problem is. Be sure to explain how the problem is resolved.

 

First Thoughts

 

1. How did you think the story would end? Why?

 

Shaping Interpretations

 

2. What would you say is the source of this story’s suspense—that is, what questions keep you turning the pages? Refer to the notes you took while reading.

 

3. This story contrasts life on Earth with life on the space frontier. In what important ways are these settings different? Do you find Godwin’s space frontier believable? Why or why not?

 

4. What do you think is the most important passage in this story, and why?

 

5. Find the passage toward the middle of the story that explains its title. What are the “cold equations”? What other images of coldness can you find in the story?

 

6. The title of the story seems to imply that the more technology influences our lives, the less room there is for human choice and emotions. How does the story illustrate that idea? Do you agree, or not? Why?

 

Connecting with the Text

 

7. How believable are Marilyn’s choice to stow away and her later responses to her fate? If you were in her situation, how do you think you would react? Be sure to check your Quickwrite notes.

 

Extending the Text

 

8. “The Cold Equations” was written in 1954, at a time when technology was far less advanced than it is now. Today we are living in what, to Tom Godwin in 1954, was the future (though not as far in the future as the story is set). Do you think the technological “future” is turning out to be as cold and harsh as Godwin expected? Explain your answer with specific examples from your own experience. You might organize your thoughts in a chart like this:

 

What Godwin Predicted
Today’s Reality
 
 

 

Challenging the Text

 

9. The story says on page 7 that Barton would have immediately carried out the regulation to eject the stowaway if it had been a man. What do you think of this attitude?

Next

Table of Contents