Raymond's Run, continued

 

“I always win cause I’m the best,” I say straight at Gretchen who is, as far as I’m concerned, the only one talking in this ventrilo-quist-dummy routine. Gretchen smiles, but it’s not a smile, and I’m thinking that girls never really smile at each other because they don’t know how and don’t want to know how and there’s probably no one to teach us how, cause grown-up girls don’t know either. Then they all look at Raymond who has just brought his mule team to a standstill. And they’re about to see what trouble they can get into through him. 

“What grade you in now, Raymond?” 

“You got anything to say to my brother, you say it to me, Mary Louise Williams of Raggedy Town, Baltimore.” 

“What are you, his mother?” sasses Rosie. 

“That’s right, Fatso. And the next word out of anybody and I’ll be their mother too.” So they just stand there and Gretchen shifts from one leg to the other and so do they. Then Gretchen puts her hands on her hips and is about to say something with her freckle-face self but doesn’t. Then she walks around me looking me up and down but keeps walking up Broadway, and her sidekicks follow her. So me and Raymond smile at each other and he says, “Gidyap” to his team and I continue with my breathing exercises, strolling down Broadway toward the ice man on 145th with not a care in the world cause I am Miss Quicksilver herself. 

I take my time getting to the park on May Day because the track meet is the last thing on the program. The biggest thing on the program is the May Pole dancing, which I can do without, thank you, even if my mother thinks it’s a shame I don’t take part and act like a girl for a change. You’d think my mother’d be grateful not to have to make me a white organdy dress with a big satin sash and buy me new white baby-doll shoes that can’t be taken out of the box till the big day. You’d think she’d be glad her daughter ain’t out there prancing around a May Pole getting the new clothes all dirty and sweaty and trying to act like a fairy or a flower or whatever you’re supposed to be when you should be trying to be yourself, whatever that is, which is, as far as I am concerned, a poor black girl who really can’t afford to buy shoes and a new dress you only wear once a lifetime cause it won’t fit next year. 

I was once a strawberry in a Hansel and Gretel pageant when I was in nursery school and didn’t have no better sense than to dance on tiptoe with my arms in a circle over my head doing umbrella steps and being a perfect fool just so my mother and father could come dressed up and clap. You’d think they’d know better than to encourage that kind of nonsense. I am not a strawberry. I do not dance on my toes. I run. That is what I am all about. So I always come late to the May Day program, just in time to get my number pinned on and lay in the grass till they announce the fifty-yard dash.

I put Raymond in the little swings, which is a tight squeeze this year and will be impossible next year. Then I look around for Mr. Pearson, who pins the numbers on. I’m really looking for Gretchen if you want to know the truth, but she’s not around. The park is jam-packed. Parents in hats and corsages and breast-pocket handkerchiefs peeking up. Kids in white dresses and light-blue suits. The parkees unfolding chairs and chasing the rowdy kids from Lenox as if they had no right to be there. The big guys with their caps on backwards, leaning against the fence swirling the basketballs on the tips of their fingers, waiting for all these crazy people to clear out the park so they can play. Most of the kids in my class are carrying bass drums and glockenspiels and flutes. You’d think they’d put in a few bongos or something for real like that. 

Then here comes Mr. Pearson with his clipboard and his cards and pencils and whistles and safety pins and fifty million other things he’s always dropping all over the place with his clumsy self. He sticks out in a crowd because he’s on stilts. We used to call him Jack and the Beanstalk to get him mad. But I’m the only one that can outrun him and get away, and I’m too grown for that silliness now. 

“Well, Squeaky,” he says, checking my name off the list and handing me number seven and two pins. And I’m thinking he’s got no right to call me Squeaky, if I can’t call him Beanstalk. 

“Hazel Elizabeth Deborah Parker,” I correct him and tell him to write it down on his board. 

“Well, Hazel Elizabeth Deborah Parker, going to give someone else a break this year?” I squint at him real hard to see if he is seriously thinking I should lose the race on purpose just to give someone else a break. “Only six girls running this time,” he continues, shaking his head sadly like it’s my fault all of New York didn’t turn out in sneakers. “That new girl should give you a run for your money.” He looks around the park for Gretchen like a periscope in a submarine movie. “Wouldn’t it be a nice gesture if you were . . . to ahhh . . .” 

I give him such a look he couldn’t finish putting that idea into words. Grown-ups got a lot of nerve sometimes. I pin number seven to myself and stomp away, I’m so burnt. And I go straight for the track and stretch out on the grass while the band winds up with “Oh, the Monkey Wrapped His Tail Around the Flag Pole,” which my teacher calls by some other name. The man on the loudspeaker is calling everyone over to the track and I’m on my back looking at the sky, trying to pretend I’m in the country, but I can’t, because even grass in the city feels hard as sidewalk, and there’s just no pretending you are anywhere but in a “concrete jungle” as my grandfather says. 

The twenty-yard dash takes all of two minutes cause most of the little kids don’t know no better than to run off the track or run the wrong way or run smack into the fence and fall down and cry. One little kid, though, has got the good sense to run straight for the white ribbon up ahead so he wins. Then the second-graders line up for the thirty-yard dash and I don’t even bother to turn my head to watch cause Raphael Perez always wins. He wins before he even begins by psyching the runners, telling them they’re going to trip on their shoelaces and fall on their faces or lose their shorts or something, which he doesn’t really have to do since he is very fast, almost as fast as I am. After that is the forty-yard dash which I used to run when I was in first grade. Raymond is hollering from the swings cause he knows I’m about to do my thing cause the man on the loudspeaker has just announced the fifty-yard dash, although he might just as well be giving a recipe for angel food cake cause you can hardly make out what he’s sayin for the static. I get up and slip off my sweat pants and then I see Gretchen standing at the starting line, kicking her legs out like a pro. Then as I get into place I see that ole Raymond is on line on the other side of the fence, bending down with his fingers on the ground just like he knew what he was doing. I was going to yell at him but then I didn’t. It burns up your energy to holler. 

(page 3)

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